Tulip Cinemas







Odia Cinema growth with more halls

Odia Cinema growth with more halls
Posted on Sept. 17, 2025, 5:16 p.m.

Odia cinema’s revival depends on screens, and Odisha’s hall count has fallen drastically from hundreds to a few dozen, creating a structural bottleneck for growth and reach across the state. With a renewed focus on accessibility, adding more cinema halls directly correlates with increased audience participation, local cultural engagement, and improved revenue stability for Odia films. Tulip Cinemas’ portable theatre solutions provide a practical path to unlock more screens quickly, especially where conventional multiplex investments stall. The historical context is stark: Odisha reportedly had 300+ single-screen halls before the 1999 super cyclone, then declined to ~130 in the early 2000s, ~80 by 2013, and around 52 active halls by 2024 when counting multiplexes and single screens. This contraction limits showtimes for Odia films, constrains distribution windows, and forces audiences to travel to a handful of urban centers, dampening consistent box office performance. Policies have tried to nudge infrastructure, but execution gaps persist, and a new approach is needed to expand capacity faster and more affordably. Tulip Cinemas bridges this gap with modular, portable theatres that are viable in small towns and blocks, aligning well with long-standing ambitions to seed mini-theatres across Odisha’s administrative blocks. These setups drastically reduce capital outlay compared to multiplexes while delivering a modern experience via digital projection and configured seating, enabling local entrepreneurs to start operations in weeks rather than years. Because deployment is distributed, more towns gain first-run access to Odia titles, improving word-of-mouth and cumulative gross. A higher number of halls creates compounding value: distributors can scale simultaneous releases, producers can plan for broader screen counts, and audiences regain the weekly habit of theatrical viewing. The positive cycle drives ancillary revenues around cinemas and supports local employment while strengthening cultural identity through Odia-language stories screened near home. By focusing on portable theatres, Tulip Cinemas makes expansion feasible where traditional builds are unviable, offering a pragmatic blueprint to reignite growth. Recent government signals on film policy and infrastructure incentives also indicate a conducive environment for screen expansion if private players can execute nimbly on the ground. Tulip’s model complements such policies by de-risking capex and shrinking time-to-open, ensuring that incentives translate into operational screens faster across diverse locations. With the right partnerships, Odisha can reverse its hall decline and usher in a broader theatrical footprint for Odia cinema statewide.